Spider

Victor notices the spider’s web swaying gently in the space between the rearview mirror and the body of the car. It is the eighth time in a month that he has encountered the same surprise, but it is the first time that Lucia notices it. An unimportant detail for her, who passes her hand without hesitation and removes the spider’s web at once.

– Don’t tell me, there’s a spider living in the car.

– Yes, there is. I think so at least.

– You think so?

– Yes, I think so. I remember one day I was driving back to the apartment when I saw a spider walking along the edge of the window. I slowed down to help it, so it wouldn’t fall out. It went through a gap in the door and I never saw it again, then these spider webs started appearing.

– You have to fill the inside of the car with insecticide and that’s it, it’s over.

Victor smiles without saying another word and gets into the car, Lucia does the same. The car leaves.

– Where did you say we were going? she asks.

– I didn’t say where we were going.

Victor keeps his gaze on the horizon that stretches vast and imperishable in front of his eyes. A couple walks down the left side of the street. Victor looks at them and sighs, he wonders if all couples are like Lucia and him, deep down he hopes this is not the case.

– Well, so, are you going to tell me or do I have to guess? LucĂ­a continues.

– You know, spiders are not insects.

– So?

– You know that, right?

– Okay, spiders are not insects. Where are we going?

– You would think that an insecticide is designed to kill insects, but no… it’s just poison. It’s for killing and nothing else.

– Victor, I hate it when you do that, are you going to answer the question?

– No, I’m not.

The red light of the traffic light forces Victor to stop at an uncomfortable point in the conversation, experience indicates that refusing to answer a question can involve more time spent in circular conversations. Before Lucia can get another word in edgewise, he hurries to turn on the radio.

“Breaking news; the search for little Pedro, who disappeared almost a month ago in the outskirts of the city, will end tonight, when police officers conclude their efforts to find him.”

“The young boy’s mother wasted no time in giving statements about the disappointment caused by this decision.”

– “He is my son, I need to find him, do you understand me? I can’t continue my life if I don’t know what happened to him”.

– Dude, can I clean your windshield?

A homeless man approaches Victor’s window, waving his hands at the windshield marked by a series of dust and dirt smudges. The truth is that it’s been days since Victor has washed the car, made the bed, and a thousand other tasks that are still pending in his mind.

– Okay my friend, thank you.

– Don’t say yes, Victor, don’t you know? He’s going to spend the money on alcohol and drugs.

Lucia intervenes in the conversation with her classic angry tone that makes Victor’s stomach boil. The homeless man also listens to Lucia’s words, although he prefers not to react, perhaps because the promise of a few coins is enough to silence the voice of his pride.

– He is like you then. Victor responds after the initial seconds of discomfort.

– What did you say?

Victor bursts out laughing and the homeless man follows soon after. Thirty seconds remain until the light changes at the traffic light, enough time to make a new friend. The homeless man’s arm passes swiftly across the surface of the windshield, in a short time the glass returns to immaculate transparency.

– It is impeccable, here and thanks for the help.

Victor hands the coins to the homeless man.

– Thank you sir and God bless you.

– “God bless me…”

The phrase echoes in Victor’s mind as the green light returns to the traffic light. The car leaves once again, the sun’s rays escape from the side of a building and go to rest on the tops of the leafy trees that stand over the concrete walls of the metropolitan park, Victor smiles.

– Are you still laughing? Are you okay with ridiculing me in front of strangers?

Victor does not answer, he is not sure of his answer, the first thing that comes to his mind is to answer that yes, it is okay to ridicule Lucia in front of strangers. But at the same time, he realizes about the anger that slowly takes over his conscience, he prefers to keep silent. The light in the skies is lost between two large bodies of gray clouds, the day is tinged with pale blues and greens, with staggered grays. Victor steps on the accelerator as if trying to escape the growing melancholy that surpasses even rage, which at least demands some kind of affective bonding, that he felt before and that now is diluted among imaginary tears.

– Lucia listen, I’m not sure about this, but I think all the sentences you’ve said since we left the apartment have been questions.

– What does that have to do with it?

– I’m not sure.

– Can you slow down?

– Yes, but I don’t want to.

Another hint of anger escapes unconsciously and leads Victor to press the accelerator harder, even before he looks ahead, towards the next traffic light that is already yellow. The space left is not enough to stop, Victor continues the race and passes the next intersection accompanied by the incipient red light, together with the trumpeting of the horn of other vehicles.

– I want to go back to the house Victor, I don’t want to be here anymore.

– You are always here.

– Do you want to tell me something?

The sound of the police beacon interrupts the conversation, the flashing reddish beam pierces the interior of Victor’s vehicle, who prefers to stop at the side of the street before trying any alternative escape.

– What I really want is to escape the conversation.

Victor looks back in the rearview mirror, expecting to see the policeman, but in reality he stares at the traces of the spider’s web in the space between the mirror and the body of the car. He wonders about the spider, will it be sad after losing its precious web? The policeman also arrives at his side.

– Good afternoon, sir. Your driver’s license, please.

Victor takes the wallet and checks inside for the driver’s license. In the process he tries not to fix his attention on the mocking face that Lucia is surely making. He doesn’t succeed.

– God has blessed me…

– I beg your pardon? The policeman replies.

– Yes? Ah, no nothing. I was talking to myself. Here’s the license.

– Do you know how fast you were going?

– What are you asking me for? I guess you know. You’d better tell me how fast I was going.

– But I want to know if you know how fast you were going.

– I see, you’re not sure. Well look, I think I was going right at 60 miles per hour. Now, I recently saw a sign that said the maximum speed was infact 60 miles per hour. So I guess we’re good, right?

– The policeman takes a step back and scratches his head, it takes him a while to process the information, when he’s done he returns to the window.

– I guess so, all ok with the license. Have a nice day, sir.

The policeman returns the license to Victor and walks back to the police car, leaving the scene shortly after. Victor breathes a sigh of relief, turns the key to start the engine and prepares to resume driving.

– I don’t understand, what happened? – Lucia asks with an air of annoyance.

– Nothing, nothing happened.

– But you went through the intersection with a red light, you committed an infraction.

– Strange, I don’t feel like I committed anything.

The next song on the radio ends and the urgent news announcement returns.

“Breaking news, a stunning turnaround in the case of little Peter, as we had commented earlier, the police were about to call off the search for the boy, but now it has been confirmed that little Peter has been found by talent scouts in Hollywood, he has signed a million dollar contract to star in a new movie franchise. We have his shocking statements.”

– “Hello everyone, I’m fine. I’m here to fulfill my dream. To all of you who are looking for me I say, forget me, because we’re not going to see each other again.”

– What a nasty little boy. And so many people had been worried about him.

Lucia grumbles in front of the radio and then changes the dial, stops at another station.

“And God said to Moses; Thou shalt love thy neighbor as thyself. On these two commandments hang all the Law and the Prophets” ….

– What is that? Victor asks.

– That is the bible, dumbass. You’ve never heard it before?

– No, it’s not that, it’s something else. It’s something that’s talking about what happens.

– What are you talking about?

– It knows what is going to happen.

– Cut it out Victor! I’ve had enough of you. You wouldn’t tell me where we’re going, you’re laughing at me and now you’re talking weird. What the fuck is wrong with you?

Victor is paralyzed, he keeps his eyes on the street but prefers not to make any false moves, he assumes that his life depends on it.

– Are you going to answer me?

– The spider… Victor answers almost without moving his lips.

– What spider?

– The spider is in my head…

The spider walks hurriedly over Victor’s head, moving from one side to the other without deciding which way to go, planted in the infinite center of a circle. Unexpectedly, the spider takes the lower path and now advances on Victor’s neck, who instinctively moves to protect his life, letting go of the steering wheel and losing control of the car. A new intersection is coming up and this time Victor does not even manage to see it, nor does he manage to press the brake pedal before receiving the impact on the right side. The car spins three or four times in the air before stopping in the middle of the street, Victor opens his eyes and finds the asphalt next to the window, the car is lying on its left side.

– Lucia… Lucia, are you okay? I’m sorry, I didn’t see…

Lucia is not inside the car. The sunlight shines through the gaps in the thick clouds and partially illuminates the long and little-traveled street, some people approach from a distance and murmur words that cannot be understood. Victor looks at the window frame of the windshield, the spider walks along the edge and goes back through the gap into the interior.

Eternal Dream (Part III)

V

The impression awakens Alfonso, what was that? A dream? The place he’s in right now is unfamiliar to him. The shelves with candy, the flickering light in the damp sky, and the vibrant sound of the refrigerators on the side. The smell of gasoline in the air gives him a more or less convincing clue as to where he is and who has rescued him during the night. The bell rings with the opening of the door and a woman enters the store. Alfonso gets up to sit on the old red sofa, with some bites in the corners that reveal the boards that shape it. The woman introduces herself as Paloma and informs him that thanks to the big explosion in the middle of the night they were able to find him.

  • You’ve been lucky.

Exalted, Alfonso asks about the old man, Paloma says she didn’t see anyone else, that the place was very dark and repeats that he was lucky they even found him in the middle of nowhere. Hearing about an old man, she remembers meeting an old stranger some time ago, perhaps it was the same person. But Alfonso is not satisfied with this answer, he insists on the old man, explains that he may be seriously injured and that they need to go and look for him immediately. A second voice interrupts him.

  • How long do you think it’s been since we found you?

It is a man with a grey beard and a trucker’s hat, who presents himself as Pedro, a strong man with features that suggest having been beaten by the passage of time. Alfonso has no way of answering the question correctly, he wants to say “a few hours” but the heaviness in his head tells him otherwise.

  • You have been sleeping for a whole week.

Pedro replies and Alfonso gets up completely from the sofa.

  • What happened to Amelia?

An unanswered question, the woman approaches and tries to reassure him, explaining that no one else was found in the desert, which is a very vast place, and sometimes people simply disappear. Confused, Alfonso cannot believe the words he just heard. How is it possible that they have not been able to find their car?

  • This desert is special.

Pedro answers once again, in that cryptic way that already starts to irritate Alfonso.

The sands rise up and sometimes they form figures that seem real, but after a while, the wind blows them away and they don’t exist anymore.

Words that confuse Alfonso even more.

  • Are you saying that I hallucinated everything? That Amelia doesn’t exist? And the old man?

Pedro has no answers as he doesn’t respond to that one. The ground and the sky revolve around Alfonso, confusion, and dizziness lead him to run toward the exit door. The sound of the small bell on the door resonates and merges with the arches that find him outside the quick stop, the little he has in his stomach is expelled through his mouth and ends up spilled on the floor, where the sand twirls in the wind and forms circular shapes. Alfonso stares at the movement, and in his mind, the idea of illusions begins to gain strength over less plausible scenarios. At least it takes away his responsibility for the lives of two individuals.

  • But, is he really considering that it was all an illusion?

Pedro walks out the door and approaches Alfonso, offering him a napkin to wipe his mouth. Alfonso receives the napkin and wipes himself without getting up.

  • You’ll be fine, I assure you.
  • I’ll be fine? We are talking about the lives of two people.

Alfonso responds without hiding his irritation.

  • Two people who may be an illusion.

Pedro comes back to the charge with his theory of illusions in the sand.

  • I understand you, believe me. Something similar happened to me, I also lost a person.

Alfonso wakes up half-relieved that someone else shares the odyssey. Amelia’s face remains in his memory, impossible to believe that it was all just a dream.

  • But don’t worry, there is still something we can do.
  • What do you mean?
  • Well, I saved your life and you can now help me with something that will benefit us both.

Alfonso still can’t believe they couldn’t find Amelia, what about her car? What happened to it? Pedro indicates that details have never helped anyone change the reality of things, but that Alfonso does not need to despair, as there is still hope. It is about the inhabitants of the desert, it is a tribe of strange individuals who share a special connection with the creative principles of the sands. They know about the desert and its illusions, and they can help both.

Pedro goes on to explain the sad story about the disappearance of his younger brother, also “swallowed up or imagined” by the desert. Has he hallucinated him? He doesn’t know, as time goes by he can’t even remember if he really had a brother all his life. But what he keeps in his heart is the memory and affection for him, and that is what drives him to keep looking. Alfonso listens to Pedro’s words with disbelief, reality now seems so much different to him than it was when he decided to make a trip to the desert. Laws of reality seem to have shifted towards the ridiculous.

  • What do you say? Are you with me?

Pedro asks once more and Alfonso accepts the offering, not even sure what the offering is about, both of them face the end of the gas station territory, the beginning of the interminable sands.

VI

Early the next day, Alfonso and Pedro go back into the desert, for a while they walk in silence by the side of the road, but then take the path into the deep desert, leaving all traces of civilization behind, until they find themselves completely surrounded by golden mounds that reflect intense sun rays, indistinguishable from each other. The walk carries on and Alfonso gets invaded once again by that mindfulness feeling that reminds him of the moment he decided to walk away from the car, from Amelia, the starting point of his current odyssey. And then he realizes something else, somehow he has this feeling about Amelia, that no matter how illusory it all seems he will return to her and she will still be alive.

  • No matter what.

Heavy steps in the sand, the tiredness reaches him faster this time around. Pedro walks away in a hurry, sure of himself, of the path. For Alfonso, things are not so easy.

  • Hey, wait for me!

And then it happens, first, a light wind blow raises a soft breeze and moves the surface of the desert, then it grows as a breath that becomes more and more agitated, until raising a wall of sand that moves quickly and wraps Pedro and Alfonso, making impossible to distinguish heaven from earth.

  • Is it all sand?

Alfonso tries to follow in Pedro’s footsteps, but the wall of sand that stands between them barely allows him to distinguish him from everything else.

  • Alfonso, let’s keep going! Pedro yells.

Forward? Where to? Alfonso doesn’t know, it all seems the same to him at this point, either up or down or left or right. Thunder rumbles on the ground around them, it rumbles from either side of the desert. Alfonso manages to get close to Pedro, he shouts to him, and asks about the origin of the thunder, does it matter? Pedro turns and smiles.

  • We are close!

Close to what? A new roar is now revealed as a high-pitched scream and, a little further on, a figure stands on the highest dune on the nearby horizon, almost indistinguishable among so much sand. As they approach, battling the increasing winds, both can see that it is a naked man with his arms raised and his face angry, his words, incomprehensible to Alfonso, yet he seems to be cursing the desert. The sands follow the movements of his yelling; to the left, to the right, the cries of this man provoke the wrath of the winds. Pedro indicates to Alfonso that the guy standing on the dune is his younger brother and that it is time to capture him, to stop him before the desert prevents them from doing so. Alfonso follows Pedro to the dune, but the brother sees them approaching and runs away, shouting louder and raising new storms that make it impossible to follow his trail. Pedro shouts his brother’s name over and over again.

  • Gustavo!

Alfonso orientates himself by following the sound of Gustavo’s yelling, his eyes can no longer see anything but sand fluttering aggressively between the columns of wind that push him in all directions. Then, a sharp sound and an aggressive blow pass furiously through Alfonso’s left side, grazing his bare ear. A fast line that forms a tube between the sands, an opening that points the way of the object embedded with violence, into the center of Gustavo’s back.

It’s an arrow.

Gustavo falls dead in the middle of the desert storm. Pedro reaches his brother’s body a few seconds later, but it’s too late. He takes him in his arms and sobs, trying, without success, to separate him from the arrow that has taken his life. Alfonso turns around trying to track the direction of the arrow, his eyes now set on a group of silhouettes standing about fifty meters away. These people look at him with inexpressive faces and naked bodies, except for the colors they wear on their skin, red some, blue others.

  • They are the people of the desert.

Pedro points to Alfonso and urges him to urgently kneel in silence. By the expression on his face, Alfonso understands that both of them are in extreme danger. Fear leads him to stutter some incoherent answer. Pedro falls to his knees, and the tears that flow from his eyes get drawn into the sand. Alfonso follows him, trembling, manages to kneel down, and lowers his head. A group of naked men surrounds Alfonso and Pedro, they talk in incomprehensible language. One of them takes Alfonso by the hair and lifts him up to inspect him. Alfonso avoids looking this man in the eyes and manages to count five more of them in a quick glance to the side. The men tie Alfonso and Pedro’s hands and feet, while another one approaches Gustavo’s body and, wielding a knife carved in stone, slices him with great skill into several pieces. The blood flowing from Gustavo’s body stains the crimson-red sands, the men wash their bodies with this blood, and looking up into the sky, they sing until the violence of the wind stops. The path clears, and the sky appears before them again. Alfonso cannot move a muscle at this point, as he assumes with enough reasons that any suspicious movement could end up in his death. The men cover his and Pedro’s eyes with cloth cut from Gustavo’s torn skin, then take them away, dragging the prisoners through the sands.