There are movies that offer meaning at face value, you get what you paid for. They might have an intricate exterior, beautiful and provoking cinematography, fantastic set design, and an elaborated editing scheme; all aesthetic devices used to evoke the illusion of complexity. Yet there are other movies that are deceitfully simple in production design, but incredibly complex in their story and theme exploration. Movies like the latter can pass through regular viewers as boring and even bad ones, mainly because of the lack of commonality they have with mainstream media but also because of their groundbreaking nature.
Cure is such a film.
This amazing movie by director Kiyoshi Kurosawa, which many people consider his best one, is an exemplary exploration of the human condition, of the reality of unconscious desire hidden underneath a fragile exterior of normality. In it, we find a hypnotizer who seems not to remember even his own life, maybe hypnotized himself, meeting people randomly and suggesting them commit murders throughout the city. This obviously catches the attention of the police, more so because all the victims present the same cut pattern on their necks, a cross mark in the flesh.
And so, we meet our protagonist, Kenichi Takabe, a detective tormented by a mentally unstable wife, trying to keep up with a life he no longer enjoys. Yet this is not the type of detective willing to analyze clues or find patterns in the crime scene. We immediately understand that he wants to get to the bottom of things rather fast, as he’s on the verge of desperation about his own problems. There are many things that exacerbate the situation for him. For starters, none of the killers, the hypnotized ones, remembers what happened to them. Worst than that, eventually, Takabe finds the hypnotizer, a strange guy named Mamiya. Questioning him for answers proves futile as this character can only respond with more questions, making conversation not only pointless but annoying to the breaking point.
And thus, we come to realize the truth about the story, progressing towards the inevitable end, which I won’t spoil but be warned, from here on there are spoilers.
There’s one thing to keep in mind to understand what’s going on, the primordial piece of the puzzle. There’s one scene where Takabe gets the idea about the real killer being a hypnotizer, he asks Sakuma, a psychiatrist, and Takabe’s friend, about it. The question is; are hypnotized people capable of killing? Sakuma answers with a blatant no, there’s no way to hypnotize a person out of their own moral choices. Yet most of the hypnotized people committed the murders.
Do you get the idea?
Some people make a comparison between Cure and Se7en, both no more than two years apart from each other. I got the same feeling while watching the movie and can say that there’s definitely some connection there, but there’s also a world of difference in the depth and complexity of each movie. As I said in the beginning, there are movies that want to make you believe there’s something complex being posed behind curtains, while others are so complex that they might pass blindly between your eyes.
By the way, researching the film I came across an amazing video essay about this movie, made by YouTuber Jack Gordon, you can check it here: